VIDEOLINK Established for over 10 years, our facility offers equipment and crew in the motion picture and television industries. From Online Webseries, Photoshootings, TV Commercials to Cinema Productions.
As you’ve probably noticed, we are Film Geeks… We offer all Cameras, from Arri Amira & Alexa, Red Dragon, Epic and MX, Canon C300, BMD4k and various Sony. We offer prime and zoom lenses from Leica, Zeiss, Cooke, Angenieux, Canon. Red, GL and others.
From a single bulb to 18kw, advanced LED or DMX controlled setups, Location or Studio – our lighting inventory is most modern in romania.
Remote Head, GFM crane, Dollies, sliders, P+S Skater, Truss, Matthews lighting control, Studio and Location 1t and 1/2t grip packages
Preinstalled truss with DMX and dimmerpacks, Limbo, custom bg color, heated & cooled, downtown location, lowest rates
Portfolio // We worked on 100's of commercials and Musicclips. Videolink was also Supplier and Coproduction at feature films and award winning short films.
Our Equipment // Equipment informations, please use the menu to browse our inventory
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range.
Equipped with a 4:3 sensor, automatic de-squeeze mode for anamorphic productions and frame rates of 0.75-200 fps, the ALEXA Mini records ProRes or uncompressed ARRIRAW to CFast 2.0 cards.
The camera is capable of up to 200fps 2K ProRes and 30fps 2.8K ArriRAW recording to internal CFast 2.0 cards (60fps if you go to a Codex recorder).
Strength and agility through state-of-the-art materials
To maintain ARRI’s famously rugged build quality in a small and lightweight camera, a number of unique design solutions have been incorporated. These include highly integrated and sealed electronics, a lightweight carbon housing and a solid titanium PL mount that connects directly with the new internal sensor mount – also made of titanium – to ensure a super-stable flange focal distance, even when using large lenses. Nimble in use and hardy on set, the ALEXA Mini is a go-anywhere tool, easy to transport in backpacks or as carry-on luggage.
Versatile mounting and shooting options
The ALEXA Mini can be operated in a number of ways: by wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Light enough to be comfortably held at arm’s length in a hand rig, its compact size and extremely quiet operation also make it ideal for tight shooting conditions.
The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, the ALEXA Mini’s interchangeable lens mount can be replaced with any of those designed for the ARRI AMIRA, allowing the use of B4 video and EF mount stills lenses.
Uncompromised image quality for specialized shots
The overwhelming advantage of the ALEXA Mini is that it marries such a compact and lightweight form factor with the same unparalleled image quality that has made the ARRI ALEXA system a gold standard for the industry.
Combine the Mini with any other ALEXA camera and you will have perfectly matched images, even on anamorphic productions – thanks to the 4:3 sensor and automatic de‑squeeze function.
Workflows will also be identical, with options to record ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder.
Save time on set
With the ALEXA Mini, no extra time need be spent on set configuring third-party cameras previously required for specialized shots, or on wrangling the image files coming out of them. Multi-camera setups such as 360° plate shots will be made simpler and faster by the external Codex recorder, which can record image streams from up to four ALEXA Minis simultaneously. The camera’s maximum frame rate of 200 fps means it can also be used for stunning slow-motion cinematography, saving further time and money on set by doing away with the need for a separate high-speed camera.
Save time in post
In the past, productions combining small cameras from other manufacturers with an ARRI ALEXA shooting kit have encountered time-consuming difficulties in the grade, trying to match images from those cameras to ALEXA’s famously natural colorimetry and pleasing skin tones. With the ALEXA Mini these difficulties are eliminated because all images come from the same sensor and share the same color space. The ability to use CDLs and 3D LUTs in-camera for on-set color management will also reduce time and money spent in post.
CODEX Multicam Recorder, offering a combined total of up to 360 fps of uncompressed ARRIRAW recording bandwidth from multiple ALEXA Mini cameras.
Integrated lens motor control and ND filters, perfect for gimbals and multicopters
The ALEXA Mini’s camera body has been designed with new-generation brushless gimbals, multicopters and other specialized rigs in mind. It is compact enough in the lens direction to allow the use of standard PL mount lenses even on lightweight and space-constrained rigs, such as gyro-stabilized aerial systems. The camera’s superb low-light performance makes it perfect for underwater work, and dedicated underwater housings are currently being developed by leading manufacturers.
Greater efficiency through integrated functions
An integrated lens motor controller allows new active lens motors to be connected directly to the titanium PL mount, so focus, iris and zoom settings can be controlled from ARRI hand units without an additional external box. Further operational settings can be made remotely when working with the ARRI WCU-4 hand unit.
Built-in Wi-Fi connectivity facilitates remote control of camera functions from iOS or Android devices, with no need for a special app.
The motorized and remotely-controllable internal ND filters permit rapid responses to changing light conditions, and help keep clutter around the camera to a minimum.
Cost-saving camera and lens metadata
Integrated ARRI Lens Data System (LDS) technology brings the added value of frame‑accurate metadata about focus, iris and zoom settings. With these lens settings and exact depth‑of‑field displayed live on wireless hand units, precise adjustments can be made during a shot. The data also allows lens mapping to pre‑marked focus rings and reduces the time and expense involved in achieving complex visual effects in post.
Better pixels, not just more
ARRI’s approach is unique in that it does not prioritize one element of image quality over any other. To achieve the highest overall image quality, ARRI uses bigger and better pixels on the sensor, rather than smaller pixels in larger numbers. The result is that ALEXA captures a wider dynamic range, truer colors, lower noise and more natural skin tones than other cameras, whether the chosen output is HD, 2K, 4K UHD or one of the native resolution outputs like uncompressed ARRIRAW 2.8K or ProRes 3.2K. This approach is vindicated by the huge numbers of professional filmmakers who choose ALEXA after extensive real‑world comparative testing.
|Camera type||35 format film-style digital camera with lightweight and compact carbon body, 4:3/16:9 switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangable lens mounts and ARRI Lens Data System|
|Dimensions||Length: 185 mm/7.3″
Width: 125 mm/4.9″
Height: 140 mm/5.5″
(camera body with PL lens mount)
|Weight||~ 2.3 kg/5 lbs (camera body with titanium PL lens mount)|
|Sensor||35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array|
(with surround view)
|16:9 ProRes HD 2880×1620
16:9 ProRes 2K 2867×1613
16:9 ProRes 3.2K 3200×1800
16:9 ProRes 4K UHD 3200×1800
4:3 ProRes 2.8K 2880×2160 *
6:5 ProRes De-squeezed to 2K 2560×2145 *
8:9 ProRes De-squeezed to HD 1920×2160 *
16:9 ARRIRAW 2.8K 2880×2160 *
Open Gate ARRIRAW 3.4K 3414×2198 *
|Shutter||Electronic shutter, 5.0° to 356.0°|
|Exposure latitude||14+ stops over the entire sensitivity range from EI 160 to EI 3200
as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
|Exposure index||EI 800 base sensitivity|
|Filters||Built-in motorized ND filters 0.6, 1.2, 2.1|
|Lens mounts||Titanium PL mount with L-Bus connector and LDS
PL mount with Hirose connector and LDS
B4 mount with Hirose connector
|Recording media||CFast 2.0 memory cards|
|Recording formats||16:9 ProRes HD (1920 x 1080)
16:9 ProRes 2K (2048 x 1152)
16:9 ProRes 3.2K (3200 x 1800)
16:9 ProRes 4K UHD (3840 x 2160)
4:3 ProRes 2.8K (2880 x 2160) *
6:5 ProRes De-squeezed to 2K (2048 x 858) *
8:9 ProRes De-squeezed to HD (1920 x 1080) *
16:9 ARRIRAW 2.8K (2880 x 1620) *
Open Gate ARRIRAW 3.4K (3414 x 2198) *
(The pixel count in brackets shows the number of pixels in the recorded file.)
|Recording codec||ProRes 422, 422 HQ, 4444, 4444 XQ, ARRIRAW *|
|Recording frame rates||
* available in a later SUP ** 4:3 cropped *** Center crop from anamorphic (1) Minimum frame rate is always 0.75 fps (2) The „recording resolution“ determines the number of horizontal pixels that will be recorded (the number of vertical pixels is dependent on the recording file type and sensor mode)
|Color output||Rec 709, custom look or Log C|
|Look control||Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)|
|Adjustable image parameters||Knee, gamma, saturation, black gamma, saturation by hue|
|Focus and exposure control||Peaking, zebra, false color|
|White balance||Manual and auto white balance|
|Sound level||< 20 dB(A) at standard frame rates|
|Environmental||-20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing
Splash and dust-proof through sealed electronics
|Viewfinder||Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen
and military-grade connector to camera
|Control interface||Soft buttons and OSD on SDI output,
integration of Transvideo StarliteHD touch interface
|ARRI lens motor control||Built-in radio interface for ARRI lens control L-Bus
motor output for daisy-chainable cforce lens control motors
|Wi-Fi remote control||Built-in Wi-Fi interface and web-based remote control from phones,
tablets and laptops
|Custom control||Optional GPIO interface for integration with custom control interfaces|
|Power input||Lemo 8-pin, 10.5-34 V DC|
|Video outputs||2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio
and metadata, SDI-6G interface to external CODEX recorder *
|Inputs||SDI-Genlock (optional activation through ARRI Service),
timecode (in and output)
|Other interfaces||USB 2.0 (for usersets, looks etc.)
EXT accessory interface w. RS pin