Epic X 300 FPS + RPP T1.8

Epic Titanium PL Mount

Focal Length Range 18-85mm

• T Stop Range T2.9 – T22
• Maximum f Stop f/2.8
• Close Focus from Lens Front 27.6 inches (70.1 cm)
• Length from Front of Lens to Image Plane 6.16 inches (15.64 cm)
• Minimum Marked Object Distance 26 inches (66 cm)
• Maximum Format Covered Super 35mm
• Iris Drive Gear 0.8 metric module
• Angular Rotation from Infinity to MOD Endstop 271 degrees
• Angular Rotation Between End-stops 120 degrees
• Focus Drive Gear 0.8 metric module
• Zoom Scales Two opposing zoom scales
• Angular Zoom Rotation 51 degrees 
• Zoom Drive Gear 0.8 metric module
• Length from Front of Lens to Lens Mount 11 inches (28cm)
• Weight 4.5 kg / 9.9 lbs.

What is a Flathead/Image 80? Basically, the Flathead/Image 80 is a hybrid Kino Flo.
Its design adds flexibility and versatilty to the popular 4Bank portable system with the outsized soft light quality you’d expect from a large fixture like the Image 85. It can be hand-held, mounted on a light stand or hoisted from rigging points to work as a cool, energy efficient coop light.

ED light sources for image makers have been around for quite some time now, with everyone throwing their hat in the ring regarding on-camera versions and a few big players producing large free-standing panels. When uber-tech innovator, Academy Award winner Dedolight weighs in with a new panel, however, it tends to cause a stir.

It’s called the Felloni and was reportedly named by Dedolight founder Dedo Weigert, himself. Is it a play on Fellini, substituting the “o” from Dedo? Opinions vary but what doesn’t is the buzz that this is an extraordinary light. Or should we say 30 lights? The lights are produced in 3 general categories, Standard (324 LEDs), High Output (576 LEDs) and Low Profile (324 LEDs). Within each of these categories are tungsten, daylight and bicolor iterations and within these sub-categories are 15°, 30° and 50° units. What they all have in common are claims of higher output with lower power consumption than competitors, a CRI of 84 and V-Mount and D-Tap battery interfaces. All versions come with a multi-voltage AC power supply, diffuser, metal filter holder strips and an 8′ cable to dismount the on-board dimmer and turn it into a wired remote.

This Dedolight Felloni Techpro 50° High Output Bicolor LED Light runs on 576 LEDs and has a flood beam angle which makes gives lots of coverage at close range. Nearly doubling the amount of LEDs enables the Felloni to produce nearly double the output as compared to the Standard Version. The bicolor LEDs are variable in fine steps from 3200 – 5600K, covering the tungsten to daylight balance range. This is the perfect light when speedy setup is of paramount importance. You can forget about fumbling with gels and gaffer’s tape and just start shooting. If you need a broad even light to establish a base light level on set, or require a fill light or light for a large subject, the Felloni Techpro 50° High Output is for you. The 1 x 1′, 4.4 lb panel is virtually heat-free, so you can squeeze it into places where other lights just can’t go without worrying about harming the talent. It’s also rainproof and upgradable with the purchase of an LCD dimmer or DMX module. A wireless DMX module is in the works.

Self-powered, illuminated PL Mount diascope for setting PL backfocus / flange distance on the RED ONE, EPIC, and SCARLET cameras with PL mount installed.